DATA ON PARTICIPANTS III INTERNATIONAL FESTIVAL OF CONTEMPORARY DANCE
remained so dance is a basic form of human expression The educational and cultural center Simon I. Patiño devised the III International Dance Festival to create a space capable of achieving communication not only between public and artists, but also between dance companies and national and international choreographers, cultural institutions and, crucially, the arts. The current version of this event promises a rich visual display, technical, choreographic, artistic and expressive unique in our country.
We are honored to introduce our international guests: Art Mou
Hélène Taddei Lawson created the Com 
Art Compagnie Mo u v ' at in st 1998 in Corc and ga. Resid host ENCI to the Theatre of Bastia, the young company measures terr cattail finds inspiration on the is in that crucible of nature and cu depth below, writing short eográfica draws its various working c artistic ions. So works tell the story of each artist and these meetings. Compag The Art Mouv nie 'brings together artists inos cam varied. His work confronts or gestua trends and music them them, and evas nu di audiovisual technologies gital, combining contemporary gestu ales and general s ales your hip -hop with a binding energy of poetry reflect musical conce pts very urb years, points of convergence and notif hip hop beats, a uni verse oy contemporary new music trends electronic onyx. Group OCIA as choreography and video techniques (special effects work s video time rea l, "samples" of images, lowing Tools projection n umer) and No space ori ginal sound. Ar This process intends terms of art r stimulates thinking and int eracciones that put in relation tion a group of artists and multi disciplinary me using new technical means f TANDARDS creates tive.
Frente de Danza Independiente - (Ecuador)
The Frente de Danza Independiente meets ba ea ilarines and choreographers who pray expl different fields of 
esc arts ENIC, and at present Dad is considered as the van guard contemporary dance in his country and one of the com panies major The tino America. While working with var Ios contemporary dance styles, give inside their ob particularly prevalent technical ras n ica release His work was presented in different countries, co mo Netherlands, Germany, France, England, Peru, Bolivia and Colombia via . Terry Ar aujo, the choreographer of FDI, is considered one of the leading exponents of the given za contemporary Ecuador. Your e experimental stilo encompasses the co ludi, capricious and irrepressible; marked a break imp ortant in this art form in their country. Along the Front Independent Dance and helped create a new gene ration dancers and they bring na za contemporary home beyond its borders.
Dancer, mae 
stra, choreographer and director of wide experience, Mirella Carbone founded and co-directs the School of Dance Pata de Cabra. Since 2003 he is director of the dance area and the group "Wanderings" at the Pontifical Catholic University Peru. Is in constant search of the transformation of the movement, the construction of character and narrative through the emotions and the possibilities of the body.
- Provisional Danza Carmen Werner
As in all arts, especially in you the Performing Arts, based in the ephemeral and almost carnal relationship with the audience, the purpose of Provisional 
onal Dance is to unravel our reality-conscious and inco-nscientes in an environment involving expressive actors and audience, creating tension and expectation and, above all, interest in some trepidation through the maximum sensory and technical and aesthetic rigor. In this sense, in 1987, Carmen Werner creates the company that has been maturing his own style, being helped by the Community of Madrid and the Ministry of Cu depth below from the years 94 and 98 respectively. His works combine various formats and media - from street work, video dance and dance Ope ra - to explore the multiple dimensions of reality and different forms of interaction between the public and artist. The sensory and tension stage, are key elements of their presentations. Considered one of the largest companies Spain, Provisional dance was presented in over twenty countries and received significant recommended recognition, as the Third International Dance Onassis Prize 2001.
- Quiatora Monorail (Mexico):
Quiatora Monorail was created in 1992 by 
Evoè Sotelo and Benito Gonzalez. From the beginning, the dance company stood by the tone sarcastic that prevails in most of its work, in contrast, at the same time, with a deceptive touch of naivete that exalts a scathing point of view, a reflection of the perspective of the world experienced its choreographers from a particular TimeSpace, where irony , playfulness, freedom and violence coexist in a strange way, fertilizing a creative universe where most recurrent patterns of expression of conventional dance are broken in many ways.
TES Laredo Dance Institute and a space fusi di ng, experimentation and creation, allowing a Apor you professional development d and contemporary dance in Bolivia. Is consolidated with seven shows presented in various scenarios home and I and II Festival of the 
onal 
